Showing posts with label Haifa University. Show all posts
Showing posts with label Haifa University. Show all posts

1 March 2022

Haifa University’s scandalous treatment of Teddy Katz, stripping him of his MA, was an Academic Lynching

Haifa University failed a student in order to uphold the Zionist fable that there was no massacre in the Arab village of Tantura in May 1948


On 21 January 2000, Ma’ariv published an article on the massacre in Tantura, a village on the Mediterranean coast south of Haifa, based on an MA thesis by Teddy Katz, a student at Haifa University. The thesis had been awarded the highest possible grade, 97%.

The testimonies, of both Palestinian survivors and members of the Alexandroni Brigade of the Haganah, which perpetrated the massacre, tell a chilling tale of a brutal massacre. On 22–23 May 1948, some 200 unarmed villagers were shot dead after they had surrendered.

The Tantura chapter of the thesis is based on the testimonies of 40 witnesses, 20 Arabs and 20 Jews. A few days after the Ma’ariv article, the veterans of the brigade sued Katz for libel. One would have assumed that Haifa University would stand behind Katz. In fact from the start the university began acting as if he were already guilty. It is clear that their loyalty to the Zionist narrative exceeded any attachment to academic freedom.

Spearheading the crusade against Katz within the university were senior members of the Department of Land of Israel Studies, who have always defended the Zionist narrative that the Palestinians left voluntarily, on the orders of the Arab regimes, rather than being expelled and ethnically cleansed.

It was a Palestinian NGO in Israel, Adalah, that provided assistance on a pro bono basis. Katz’s name was summarily removed from a list of those to be honored for their work. It was literally tippexed out.

Before the trial began, Katz tried to persuade the court not to take the case, arguing that it was a scholarly debate that should be determined not in court but within the university. If the university had supported this effort, he may have succeeded in avoiding a trial, but the university refused to support his application.

An aerial view of Dor beach, built over the village of Tantura, where the Israeli military massacred over 200 Palestinians in 1948. [Getty]

The trial began on 13 December 2000, with Katz being called to the witness box. The crux of the prosecution’s case rested on six minor mistakes. For example Katz substituted the word “Germans” for “Nazis.” No discrepancies were found in any of the remaining 224 references concerning Tantura.

That night, weakened by a stroke several weeks earlier and subjected to enormous pressures by his family, friends, and neighbours in the kibbutz where he lived, Katz acquiesced on the advice of one of his lawyers Katz signed an agreement that repudiated his own academic research. The agreement titled “An Apology,” is so sweeping as to bear a resemblance to a police “confession” extracted under physical pressure.

Teddy Katz

Haifa university lawyer Amazia Atzmon, an Israeli Defence Force General, also pressed him to stop. “Tell him to sign [the recantation document] and just continue his studies for his doctorate”. Atzmon had a strong interest in ending the case.

Twelve hours later, Katz formally regretted his retraction and wanted to continue the trial, but the judge, Drora Pilpel, refused to allow Katz to withdraw his concession. She threw it out, as she later admitted, without listening to Katz’s tapes.

Tantura residents flee their village, May 1948. Dozens of others may have been killed. 

When interviewed for the film “Tantura” a shamefaced Pilpel admitted that

If it’s true, it’s a pity. If he had things like this, he should have gone all the way to the end.

The judge’s ruling made no reference to the merits of the case, but only to the court’s ability to accept Katz’s retraction of his retraction. A number of members of the academy were only too happy to swoop down like vultures on the alleged defects in the work of a historian just starting out on his academic career.

One can speculate that the motivation of Haifa and mainstream Israeli academics was not simply denial of the massacre but a recognition that if Katz had won the case, Israeli academia’s role for more than 50 years in suppressing the truth about the Nakba would itself be in the dock.

Aerial view of Dor beach and its parking lot, built over the mass grave of the Tantura victims.

The injustice of what happened is now apparent as a result Alon Schwarz's documentary “Tantura” which had its world premiere at the Sundance Festival.

Schwarz listened to all 140 hours of the taped testimonies and he is convinced that Israeli soldiers killed between 200 and 250 male residents of Tantura. Former combat soldier Moshe Diamant  said:

They silenced it. It mustn’t be told, it could cause a whole scandal. I don’t want to talk about it, but it happened. What can you do? It happened.

Theodore "Teddy" Katz

According to Diamant, villagers were shot to death by a “savage” using a submachine gun, at the conclusion of the battle. He added that, in connection with the libel suit in 2000, the former soldiers tacitly understood that they would pretend that nothing unusual had occurred after the village’s conquest. “We didn’t know, we didn’t hear. Of course everyone knew. They all knew.”

Another combat soldier, Haim Levin, related that a member of the unit went over to a group of 15 or 20 POWs “and killed them all.” Levin says he was appalled, and he spoke to his buddies to try to find out what was going on. “You have no idea how many [of us] those guys have killed,” he was told.

Another combat soldier described a different incident that occurred there: “It’s not nice to say this. They put them into a barrel and shot them in the barrel. I remember the blood in the barrel.” One of the soldiers summed up by saying that his comrades simply didn’t behave like human beings in the village – and then resumed his silence.

Amitzur Cohen, talked about his first months as a combat soldier: “I was a murderer. I didn’t take prisoners.” Cohen related that if a squad of Arab soldiers was standing with their hands raised, he would shoot them all. Asked how many Arabs he killed he said: “I didn’t count. I had a machine gun with 250 bullets. I can’t say how many.”

The film presents the conclusion of experts who compared aerial photographs of the village from before and after its conquest. A comparison of the photographs, and the use of three-dimensional imaging done with new tools, makes it possible not only to determine the exact location of the grave but also to estimate its dimensions: 35 meters long, 4 meters wide. “They took care to hide it,” Katz says in the film, “in such a way that the coming generations would walk there without knowing what they were stepping on.”

A note dated June 9, 1948, says: "To the region commander. Yesterday I checked the mass grave in Tantura cemetery. Found everything in order.”Credit: IDF Archives

Yad Vashem historian Yoav Gelber, who played a pivotal role in discrediting Katz’s paper, asserted that a few dozen Arabs had been killed in the battle itself, but that a massacre had not occurred.

Katz’s and now Schwarz’s claims are backed up in the film with documents obtained from the IDF archive and historical aerial maps analyzed by experts, including some in the IDF who Schwarz said wished to remain unidentified.

Schwarz interviewed Katz and Ilan Pappe as well as the- veterans who admitted to the killings. Also included are interviews with some veterans who continue to deny the killings, as well as academics who doubled down on their dismissal of Katz’s methodology and findings.

One of those who had provided Katz with a four-hour testimony, wherein he repeatedly compared the horrors to the acts of Nazis and suggested the Alexandroni Brigade acted worse in as much as they killed prisoners of war, was a veteran IDF General, Shlomo Ambar. For the court case Ambar had signed an affidavit stating that he did not recall anything he said to Katz.

But in his interview with Katz, Ambar had said that

“I associate [what had happened in Tantura] only with this: I went to fight against the Germans who were our worst enemy. But when we fought we obeyed the laws of the war dictated to us by international norms. They [the Germans] did not kill prisoners of war. They killed Slavs, but not British POWs, not even Jewish POWs— all those from the British army who were in German captivity survived.”

Haifa University joins the political battle

The then Minister of Education Limor Livnat personally told Katz that she had ordered the university to strip his research from the shelves and that failure to do so would result in a complete cancellation of state funding.

The university was urged by the plaintiff to strip Katz of his Master’s degree. Rather than waiting to see how the Supreme Court would rule in a few months’ time, the university leadership acted immediately.

The actual stripping of Katz’s title was halted at the last moment due to protests from the Middle East History department. Yet the university proceeded with the work of two committees it had set up: one to check the quotations in the thesis against the tapes, and another to check if there had been fault in the supervision process.

Zalman Amit, a professor emeritus at the Center for Studies in Behavioral Neurobiology in Concordia University, Montreal, noted

the university has never explained by what procedural rules it was able to re-open consideration of the status of a thesis that had already been approved and awarded a rating of 97%.

The committee found some faults and on this basis Katz’s degree was suspended. The school made him an offer to submit a revised thesis. None of this was in accordance with academic procedures. Amit wrote:

the university never explained the legal and procedural justification for this development in accordance with a pre-existing rule-book. This is particularly relevant since it is clear that Katz’s thesis was not “re-inspected” as a result of an internal academic complaint, or on the basis of academically-based information presented formally to the faculty by a qualified and authorized academic body, or as a result of a complaint from any person who launched such a complaint as a result of an academic scrutiny of the thesis. Instead, it appears that evaluation of the thesis was re-opened on the basis of some allegation that arose from an aborted legal case and that the action did not follow established and formal rules of academic procedure.

Remains of mosque in Tantura ruins. Photo by Zalameh Zalameh at Zochrot

The “cleansing” of a village (this is the terminology found in Haganah documents) was to close off a village from three directions, and cause most of the population to flee in the desired direction. If it was a northern town, it would be towards Lebanon or Syria; if eastern, towards Jordan etc. In Tantura the town was closed off from land in all directions, and at sea there was a blockade by a Haganah navy force.

“[Shimshon Mashvitz] agreed [to stop] after he had killed eighty-five people [alone]…He killed them [with a Sten gun]. They stood next to the wall, facing the wall, he came from the back and killed them all, shooting them in the head…Every group twenty or thirty people. Twice or three times he changed magazines.” (Salih ‘Abd al-Rahman (Abu Mashayiff), from Tantura – Teddy Katz, Master’s Thesis).

Katz took the challenge up and interviewed more people and added in more verbatim interview sections, as well as restructuring the work. 1½ years later, Katz submitted the revised thesis, which was considerably larger than the original. The university then proceeded to appoint a five-examiner committee to judge Katz’s revised work.

Two of the examiners gave Katz passing scores, 85 and 83. Another gave a 74, which in this context was a failing mark. But the most interesting thing was the marks from two of the examiners: 40 and 50. As Benny Morris noted in The Jerusalem Report (9th February 2004), the last two graders were Dr. Avraham Sela (Hebrew University) and Dr. Arnon Golan (Haifa University). Morris wrote:

Three years ago, together with Hebrew U. professor Alon Kadish, those two scholars authored “The Conquest of Lydda, July 1948” which argued that the Israeli army had carried out only a “partial expulsion” of the populations of the Arab towns of Lydda and Ramlah and dismissed the charge that the troops had massacred Lydda townspeople, some of them inside a mosque, on July 12 1948.

In fact, according to IDF records from 1948 what was ordered and carried out was a full-scale expulsion; and Yiftah brigade troops killed some 250 townspeople. Oral testimony of Yiftah veterans, deposited in the Yigal Allon archive posits that the troops fired one or more bazooka rounds into the mosque compound, where dozens of Arab POWs were being held. The authors even failed to mention the expulsion order signed by the then Lt. Col. “Yitzhak R”, (Rabin) the operations officer, which ordered the brigade to expel “the inhabitants of Lydda”.

In other words, Haifa University got two examiners who themselves had fabricated the history of the Naqba in the interests of the Zionist narrative, to fail Katz.

Katz was thus stripped of the MA degree which would have allowed him to continue on to his PhD. In an act of “magnanimity” the university nonetheless offered him a “2nd class” Masters, a “non-research Masters”.

Following his first stroke, Katz had 4 subsequent strokes. The fifth stroke, some 8 years ago, which occurred on the 20th annual memorial day of his daughter Amira’s death, left him partially paralyzed. The treatment of Katz cannot but have helped play a part.

Tantura residents flee their village, May 1948. 

The behaviour of Haifa University is shocking but this incident (along with the forced resignation of Ilan Pappe) demonstrates that political considerations have long since affected its academic decisions. The time is long overdue for Haifa University to make amends for what was an academic lynching. Haifa’s behaviour also confirms the rightfulness of the academic boycott of Israeli academia.

Israeli universities are complicit, at all levels, in the oppression and exploitation of the Palestinians.  Academic freedom simply does not come into it.

Tony Greenstein

24 November 2019

Israel’s Kulturkampf – ‘Culture’ Minister Miri Regev’s War on Subversive Art


The McCarthyist Attacks on Israel’s Dissident Theatres is Symptomatic of a Settler Colonial Regime


At the beginning of October I received a letter from an old Israeli associate, Professor Avraham Oz of Haifa University. Avraham is a professor of theatre and a long standing supporter of the left in Israel.
The letter (see below) was an appeal for funding. The Alfa Theatre in Haifa was threatened with the loss of its state funding because of the attack on dissident culture in Israel.
A particularly nasty type of informer, Shai Glick, had been busy writing to government departments and anyone else who will listen to him, branding any manifestation of support for the Palestinians as support for ‘terrorism’. 
Emeritus Professor Avraham Oz
It is a phenomenon we see in this country and now in the Labour Party with people acting as informers. I wrote to one such person only the other day, a Sim Elliot in Brighton Labour Party, who had informed on a local left-wing activist, Paddy O’Keefe, who had the temerity to associate ex-MP Ian Austen with Israeli funding. Informers hold a particular place in Jewish history.
An article on Jewish Ethics, Gossip, Rumors and Lashon Hara (Evil Speech) tells of how
‘the rabbis [of classical Judaism in late antiquity], in inveighing against it, often resorted to hyperbolic language, e.g. in saying that slander, talebearing, and evil talk were worse than the three cardinal sins of murder, immorality, and idolatry. Of one who indulges in lashon hara they say that he denies the existence of God, and that the Almighty declares “I and he cannot live in the same world
The damage that informing could do was demonstrated during the Nazi era when informers, in particular Jewish informers, led to the deaths of many Jews hiding out from the Nazis such as the ‘U boats’ in Vienna. There are few words to describe such people. It is a measure of the ‘anti-Semitism’ moral panic in the Labour Party that creatures such as Sim  Elliot have emerged.
Bismark - he began the Kulturkampf
It is ironic that Israel’s government, paralysed as it is by political stagnation and the indictment of Netanyahu  on criminal charges, should emulate the Kulturkampf of the Prussian state when it waged war on the Catholic Church. What Bismark began Goebbels finished.
Israel’ ‘Culture’ Minister, Miri Regev, has been to the fore of this assault on Israeli cultural organisations. Previously Regev has said that she is proud to be a “fascist” and considers fascism to be an integral part of Israeli culture. At the end of last year she was temporarily halted in her attempt  to introduce a cultural loyalty bill. If passed it would have allowed the Culture Ministry to deny funding to cultural works that disrespect state symbols, consider Independence Day to be a day of mourning, or incite to violence or terrorism.
In other words any play which is based on the events of the Nakba, which to Palestinians is a day of mourning, would not only be defunded but would be subject to concerted attempts to ban them if they were held on government or local authority premises.
In 202 Regev attended an anti-refugee demonstration in the South of Tel Aviv and declared that the Sudanese are a cancer in our body". She provoked a pogrom against the Black African refugees who eke out a poverty stricken life in the city, 20% of whose wages are stolen by the State as a ‘deposit’ to be repaid if and when they leave the country. They are not entitled to health care nor do their children receive education. 
Regev was outraged when  her critics dressed her up in Nazi uniform. Under the IHRA that would be considered anti-Semitic! She did in the end apologise for her remarks saying she regretted comparing cancer patients to refugees!
Under Threat
The State of Israel has learnt well from the treatment of Jews in other countries but we should not forget that Zionism is nothing if not consistent. In the diaspora it held that anti-Semites were right to object to the presence Jews in their midst.  Zionism has always been ‘understanding’ about anti-Semitism.
Israel's fascist 'culture' Minister Miri Regev
Chaim Weizmann, the first President of the Israeli State and former President of the World Zionist Organisation wrote in his autobiography Trial and Error (pp. 90-91) about the leader of the anti-Semitic British  Brothers League, William Evans Gordon MP, who campaigned at the beginning of the 20th century against the immigration of Jewish refugees from the Czarist pogroms:
‘our people were rather hard on him. The Aliens Bill in England and the movement which grew around it were natural phenomenon which might have been foreseen... Sir William Evans-Gordon had no particular anti-Jewish prejudices... He acted as he thought, according to his best lights and in the most kindly way, in the interests of his country… he was sincerely ready to encourage any settlement of Jews almost anywhere in the British Empire, but he failed to see why the ghettos of London or Leeds or Whitechapel should be made into a branch of the ghettos of Warsaw and Pinsk.
One of the consequences of Israel’s move to the Right and the almost  complete incorporation of the West Bank is the erosion of democratic rights, even for Israeli Jews. There is nothing new in this. South Africa was also portrayed as a democracy, albeit for Whites but slowly but surely the democratic rights even of the settler minority were circumscribed.
The following letter was received by the Alfa Theatre, from Shai Glick, a self-appointed informer, via his organization "In His Image". In his letter to the Minister of Culture Glick alleged that events being performed at the theatre contravened the Nakba Act and the Jewish Nation State Law. Shai Glick has form (see Ha'aretz’s ‘Every regime has its informers’
The context is that the theatre was rented for an event to be held by B’tselem and Parents Against Child Detention on November 20th, International "Children Rights Day," under the title: "Children in Chains: Detention of Minors on the West Bank and East Jerusalem". This caused Glick to see red!
Professor Emeritus Avraham Oz
Department of Hebrew and Comparative Literature
University of Haifa

Alfa Theatre
An event which could breach the "Nakba Law"- an event concerning the arrest of terrorists
1.     I have been exposed to an announcement regarding an event which focuses on the detention of terrorists at your theatre. The event takes place on 20.11:
2.     The event takes place on the "Children rights Day." Instead of worrying indeed about the rights of children not to be assaulted by terrorists, you worry about the terrorists.
3.     It is important to emphasize that terrorists are terrorists at any age and any situation.
4.     It is important to emphasize that the Budget Basics Act, clause 3b states clearly that an event promoting terrorism or violence or insulting the State of Israel will not be sponsored.
5.     In addition, the proprietor of the venue will incur immense fines.
6.     It is not improbable that in such an event speeches will be delivered which support the acts of terrorists, and in general the whole event may constitute support of terror.
7.     Only recently you gained official state recognition. Would you care to lose it?
8.     Only recently Al-Midan Arab Theatre was closed, a closure warrant was issued to Barbour Gallery and the Co-Existence Forum in the South.
9.     The Jaffa Theatre as well suffered bitter reproachment for events supporting terrorism, and Tmuna Theatre cancelled a similar event for such reason.
10. You are a theatre, not a stage for terrorism, incitement and boycott.
11. Be reminded that the Managing Director of the "Betselem" organization has in the past expressed and implied support of the boycott, and this as well may be regarded as breach of the law.
12.  To summarize, to avoid endangering your financial support, I recommend you to cancel the event.
13.  As I will tender an official complaint of course to the Ministry of Culture and the Minister of Finance who is in charge of the Law, and as inspectors were sent to the Jaffa Theatre, secret inspectors will be sent to you as well on that evening, and every statement may be considered a violation, and enough said. Let me point out that you may be charged by a criminal charge insofar as inciting speeches will occur. Be warned!
Sincerely,
Shai Glick
Director
"In His Image" organization

Cc:
The Minister of Culture
The Minister of Finance
Members of the committee for enforcing the Law
Legal Consultant of the Ministry of Culture     
Legal Consultant of the Ministry of Finance
The Bureau of the Attorney General
The Deputy Attorney General 
Note his comment that 'terrorists are terrorists at any age'. In other words the treatment by Israel's military of Palestinian children - from blindfolding to torture - is justified because they are 'terrorists'.
Below is the Appeal Letter from Professor Oz. At the end of it are details of how you can make a donation. It is possible to make a donation via Paypal and if you e-mail avitaloz@gmail.com you will receive details of how to do this.
Dear Tony,
For the first time I have to resort to ask your support for our major theatrical project, the Alfa Theatre, Tel Aviv. In its 9 years of existence, our theatre, combined with the Academy of Performing Arts, has produced non-commercial theatre productions, involving professional actors both Jews and Arabs and trained actors in Hebrew and Arabic.
In a hostile atmosphere, we are one of the few theatres welcoming Palestinian actors, otherwise shunned by most theatres, some of them cast in major roles (such as Mohammad Bakri in the title role of The House of Bernarda Alba, Suheil Haddad as Shylock, Morad Hassan as Woyzeck, Maisa Abdelhadi – a graduate of the Academy – in DusaFish, Stas & Vi); employed Palestinian directors such as Moneer Bakri, Amer Hlehel and Akram Telawi; and produced plays in Arabic alongside our Hebrew.
After years of applying to the Ministry of Culture, we were last year granted recognition as a fringe theatre centre; however, a play we have offered for financial support, critically dramatizing the origins of the Zionist narrative, was first warmly approved and budgeted by the professional commission of the Ministry, yet suddenly that approval was suspended on awkward procedural grounds. When we applied for funds for the current year (including that very play) we met with another rigid procedural difficulties, leading to suspension of our entire financial support, thus threatening the closure of our theatre after 9 years of praise and success financed almost exclusively from our private resources (with a couple of minor donations for particular projects).
We have no evidence that the "procedural" difficulties repeatedly suspending our State support are politically motivated, but to judge by the policy of the Ministry of Culture which has recently brought to the closure of the only State supported Arab theatre in Israel, and the strong anti-Arab incitement used by PM Netanyahu and Minister of Culture Regev in the recent elections campaign brings to mind such suspicion.
While contesting the moves of the Ministry in Court, we have no choice but to depend for our survival on support from donations of the public until our case is heard, and the next round of budget support comes. We have launched a public campaign for fund resources inside the country, which has already met generous response, but that is not enough to make us survive. We need to reach at least $40,000 to replace the projected State support denied us, of which we have gathered so far about 61%. We therefore apply for your kind support to help us reach our goal no later than the end of next month, so that our artistic activity makes us eligible to apply for next year's State support. Otherwise, our 9 year project will close and the theatre demise.
Any sum, from the price of a theatre ticket upwards will be welcome. You may make your donation by credit card in US $, Euro €, or UK £ (American Express, though, can only be paid by US $) or by Paypal,
via the following, highly secured link:
Or by direct transfer to our charity's bank account:
Bank Mizrahi Tefahot
Branch 669,
Account no 669-390997: Gilboa Theatre Charity
Iban: IL07-0206-6900-0000-0390-997
Swift code: MIZBILITXXX
Thank you for any support, big or small and, most important: please feel free to circulate this among friends.
Professor Avraham Oz
Department of Hebrew and Comparative Literature
University of Haifa

See also:

Ruling on Divisive 'McJesus' Sculpture Fulfills Israeli Culture Minister's Censorship Fantasies

Following years of attempts by Miri Regev to curb offensive artistic expression, this week a court in Haifa upheld the mayor's right to intervene in content at a municipal museum to 'maintain public order'
Feb 14, 2019 9:29 PM
The Haifa District Court's decision this week permitting Haifa’s mayor to intervene in artistic content at municipally owned arts institutions to "maintain public order" is a dream come true for Culture and Sports Minister Miri Regev, who has sought to curb artistic expression that she found offensive.
The district court issued the ruling in support of a decision by Haifa Mayor Einat Kalisch-Rotem to have the municipally owned Haifa Museum of Art remove "McJesus," a sculpture that sparked violent protests following an outcry by the city's Christian Arab community. "McJesus," which depicted a crucified Ronald McDonald, the McDonald's mascot, was featured in a display on the commercial use of sacred images.
Since taking office as culture minister, Regev has tried time and again to exert her influence over institutions, municipalities and local councils to present certain works of art and refrain from exhibiting others. She has seen nothing wrong with such intervention and hasn't hesitated to make her censorship demands public. She also hasn't hesitated to cut state funding to institutions that fail to accede to her dictates.
To her dismay, however, most of her threats had been ineffective, and as a result, she tried to pass a cultural loyalty bill that would give her authority to deny state funding cultural institutions on a number of grounds specified in the bill. In most of the instances in which Regev has sought to censor artistic content, the Association for Civil Rights in Israel has intervened, prompting a deputy attorney general to advise her that she could not legally do so.
Three and a half years ago, Regev threatened to cut the budget of the Jerusalem Theater Festival if it showed a documentary about the family of Yigal Amir, who assassinated Prime Minister Yitzhak Rabin. Ultimately a compromise was reached to show the film but not under the festival's auspices.
A short time later, she threatened to deduct funds from the Tel Aviv Cinematheque if it hosted a festival sponsored by the Zochrot organization about the Nakba, a reference to the Palestinians who fled or were expelled in the course of the Israeli War of Independence. A committee appointed by Regev found that its content wasn’t illegal.
Last year she threatened to put a halt to the Cinema South film festival over its showing of a documentary about Bedouin women in the Negev. In the end, the film was shown as scheduled.
The biggest fuss that Regev mounted over a film was in connection with Samuel Maoz’s “Foxtrot.” After attacking the film in every possible setting, she decided not to confine her threats to Israel alone. In February 2018, she pressured the Foreign Ministry and the Prime Minister’s Office to withdraw their financial support for the Israeli film festival in Paris, where "Foxtrot" was scheduled as the opening film.
She also tried to cut funding to the Jaffa Theater. In 2017, she urged Attorney General Avichai Mendelblit and Finance Minister Moshe Kahlon to follow suit over the showing of a movie honoring Palestinian poet Dareen Tatour. Two months ago, she raised the issue again with Kahlon, this time demanding monetary sanctions against the arts center at Hansen House in Jerusalem, which hosted an exhibition that included one of Tatour’s poems.
About two years ago, Regev roundly objected to a poster designed by a student, 12 copies of which where hung up at the Mount Scopus campus of the Bezalel Academy of Art and Design in Jerusalem. It depicted Prime Minister Benjamin Netanyahu with a hangman’s noose in front of his face. Although the posters were taken down after a short time, Regev called on Education Minister Naftali Bennett to withhold funds from Bezalel.
A few weeks earlier, Regev had asked the mayor of Haifa at the time, Yona Yahav, to reconsider permitting the Israeli-Arab rapper Tamer Nafar to appear at a Jewish-Arab cultural festival, saying that the singer “uses every opportunity on stage to oppose the idea of the State of Israel as a state of the Jewish people.” A year later she asked the mayor to cancel a Zochrot-sponsored event and a Nakba film festival at the municipal cinematheque. She also called on Finance Minister Kahlon to penalize the Tel Aviv Cinematheque for hosting the Nakba film festival (despite the prior finding of a panel that she had appointed that the festival was not in violation of the law.)
Two years ago, Regev tried to persuade the mayor of Jerusalem at the time, Nir Barkat, to shut down the Barbur Gallery, for hosting an event by the anti-occupation group Breaking the Silence on its municipally owned premises. Last summer when Regev learned the same gallery was to host a Nakba event for Zochrot, she demanded the attorney general advance legislation to deny it funding. The city said the gallery would be shut, but that decision is now on appeal.
See also

·         Culture minister blocked from cutting Haifa museum funds over ‘McJesus’ controversy

·         Hundreds protest in Israel over 'McJesus' art exhibit

·         Miri Regev’s obnoxious assault on Gantz is taken from Donald Trump’s playbook