The McCarthyist
Attacks on Israel’s Dissident Theatres is Symptomatic of a Settler Colonial
Regime
At the
beginning of October I received a letter from an old Israeli associate, Professor Avraham Oz of Haifa University. Avraham is a professor of theatre and a long standing
supporter of the left in Israel.
The letter
(see below) was an appeal for funding. The Alfa Theatre in Haifa was threatened
with the loss of its state funding because of the attack on dissident culture
in Israel.
A
particularly nasty type of informer, Shai Glick, had been busy writing to
government departments and anyone else who will listen to him, branding any
manifestation of support for the Palestinians as support for ‘terrorism’.
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| Emeritus Professor Avraham Oz |
It is a
phenomenon we see in this country and now in the Labour Party with people acting
as informers. I wrote to one such person only the other day, a Sim Elliot in
Brighton Labour Party, who had informed on a local left-wing activist, Paddy
O’Keefe, who had the temerity to associate ex-MP Ian Austen with Israeli
funding. Informers hold a particular place in Jewish history.
‘the rabbis [of classical Judaism in late
antiquity], in inveighing against it, often resorted to hyperbolic language,
e.g. in saying that slander, talebearing, and evil talk were worse than the
three cardinal sins of murder, immorality, and idolatry. Of one who indulges in
lashon hara they say that he denies the existence of God, and that the Almighty
declares “I and he cannot live in the
same world”
The damage
that informing could do was demonstrated during the Nazi era when informers, in
particular Jewish
informers, led to the deaths of many Jews hiding out from the Nazis such as the
‘U boats’ in Vienna. There are few words to describe such people. It is a
measure of the ‘anti-Semitism’ moral panic in the Labour Party that creatures
such as Sim Elliot have emerged.
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| Bismark - he began the Kulturkampf |
It is ironic
that Israel’s government, paralysed as it is by political stagnation and the
indictment of Netanyahu on criminal charges,
should emulate the Kulturkampf of the
Prussian state when it waged war on the Catholic Church. What Bismark began
Goebbels finished.
Israel’ ‘Culture’
Minister, Miri Regev, has been to the fore of this assault on
Israeli cultural organisations. Previously Regev has said that
she is proud to be a “fascist” and considers fascism to be an integral part of
Israeli culture. At the end of last year she was temporarily halted in her
attempt to introduce a cultural loyalty bill. If
passed it would have allowed
the Culture Ministry to deny funding to cultural works that disrespect state
symbols, consider Independence Day to be a day of mourning, or incite to
violence or terrorism.
In other
words any play which is based on the events of the Nakba, which to Palestinians
is a day of mourning, would not only be defunded but would be subject to
concerted attempts to ban them if they were held on government or local
authority premises.
In 202 Regev
attended an anti-refugee demonstration in the South of Tel Aviv and declared that the Sudanese
are a cancer in our body". She
provoked a pogrom against the Black African refugees who eke out a poverty
stricken life in the city, 20% of whose wages are stolen by the State as a
‘deposit’ to be repaid if and when they leave the country. They are not
entitled to health care nor do their children receive education.
Regev was
outraged when her critics dressed her
up in Nazi uniform. Under the IHRA that would be considered anti-Semitic!
She did in the end apologise for her
remarks saying she regretted comparing cancer patients to refugees!
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| Under Threat |
The State of
Israel has learnt well from the treatment of Jews in other countries but we
should not forget that Zionism is nothing if not consistent. In the diaspora it
held that anti-Semites were right to object to the presence Jews in their
midst. Zionism has always been ‘understanding’
about anti-Semitism.
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| Israel's fascist 'culture' Minister Miri Regev |
Chaim
Weizmann, the first President of the Israeli State and former President of the
World Zionist Organisation wrote in his autobiography Trial and Error (pp. 90-91) about the leader of the anti-Semitic
British Brothers League, William Evans
Gordon MP, who campaigned at the beginning of the 20th century
against the immigration of Jewish refugees from the Czarist pogroms:
‘our people were rather hard
on him. The Aliens Bill in England and the movement which grew around it were natural phenomenon which might have been foreseen...
Sir William Evans-Gordon had no particular anti-Jewish prejudices... He
acted as he thought, according to his best lights and in the most kindly way,
in the interests of his country… he was sincerely ready to encourage any
settlement of Jews almost anywhere in the British Empire, but he failed to see
why the ghettos of London or Leeds or Whitechapel should be made into a branch
of the ghettos of Warsaw and Pinsk.
One of the consequences of Israel’s move to the Right and the
almost complete incorporation of the
West Bank is the erosion of democratic rights, even for Israeli Jews. There is
nothing new in this. South Africa was also portrayed as a democracy, albeit for
Whites but slowly but surely the democratic rights even of the settler minority
were circumscribed.
The following letter was received by the Alfa Theatre, from Shai Glick, a self-appointed informer, via
his organization "In His Image".
In his letter to the Minister of Culture Glick alleged that events being
performed at the theatre contravened the Nakba Act and the Jewish Nation State Law. Shai Glick
has form (see Ha'aretz’s ‘Every regime has its informers’
The context is that the theatre was rented for an event to be held by B’tselem and Parents Against Child Detention on November
20th, International "Children Rights Day," under the
title: "Children in Chains:
Detention of Minors on the West Bank and East Jerusalem". This caused
Glick to see red!
Professor
Emeritus Avraham Oz
Department of Hebrew and Comparative Literature
University of Haifa
Department of Hebrew and Comparative Literature
University of Haifa
Alfa Theatre
An event which could breach the "Nakba
Law"- an event concerning the arrest of terrorists
1. I have been exposed to an announcement regarding an event which focuses on the detention
of terrorists at your theatre. The event takes place on 20.11:
2. The event takes place on the "Children
rights Day." Instead of worrying indeed about the rights of children not
to be assaulted by terrorists, you worry about the terrorists.
3. It is important to emphasize that terrorists
are terrorists at any age and any situation.
4. It is important to emphasize that the Budget Basics Act, clause 3b states clearly that an
event promoting terrorism or violence or insulting the State of Israel will not
be sponsored.
5. In addition, the proprietor of the venue will
incur immense fines.
6. It is not improbable that in such an event
speeches will be delivered which support the acts of terrorists, and in general
the whole event may constitute support of terror.
7. Only recently you gained official state
recognition. Would you care to lose it?
8. Only recently Al-Midan Arab Theatre was
closed, a closure warrant was issued to Barbour Gallery and the Co-Existence
Forum in the South.
9. The Jaffa Theatre as well suffered bitter
reproachment for events supporting terrorism, and Tmuna Theatre cancelled a
similar event for such reason.
10. You are a theatre, not a stage for terrorism, incitement and
boycott.
11. Be reminded that the Managing Director of the "Betselem"
organization has in the past expressed and implied support of the boycott, and
this as well may be regarded as breach of the law.
12. To summarize, to avoid endangering your financial support, I
recommend you to cancel the event.
13. As I will tender an official complaint of course to the
Ministry of Culture and the Minister of Finance who is in charge of the Law,
and as inspectors were sent to the Jaffa Theatre, secret inspectors will be
sent to you as well on that evening, and every statement may be considered a
violation, and enough said. Let me point out that you may be charged by a
criminal charge insofar as inciting speeches will occur. Be warned!
Sincerely,
Shai Glick
Director
"In His Image" organization
Cc:
The Minister of Culture
The Minister of Finance
Members of the committee for enforcing the Law
Legal Consultant of the Ministry of Culture
Legal Consultant of the Ministry of Finance
The Bureau of the Attorney General
The Deputy
Attorney General
Note his comment that 'terrorists are
terrorists at any age'. In other words the treatment by Israel's
military of Palestinian children - from blindfolding to torture - is justified
because they are 'terrorists'.
Below is the Appeal Letter from
Professor Oz. At the end of it are details of how you can make a donation. It
is possible to make a donation via Paypal and if you e-mail avitaloz@gmail.com you will receive details of how to do this.
Dear
Tony,
For
the first time I have to resort to ask your support for our major theatrical
project, the Alfa Theatre, Tel Aviv. In its 9 years of existence, our theatre,
combined with the Academy of Performing Arts, has produced non-commercial
theatre productions, involving professional actors both Jews and Arabs and
trained actors in Hebrew and Arabic.
In a hostile
atmosphere, we are one of the few theatres welcoming Palestinian actors,
otherwise shunned by most theatres, some of them cast in major roles (such as Mohammad
Bakri in the title role of The House of Bernarda Alba, Suheil Haddad as
Shylock, Morad Hassan as Woyzeck, Maisa Abdelhadi – a graduate of the Academy –
in Dusa, Fish,
Stas & Vi);
employed Palestinian directors such as Moneer Bakri, Amer Hlehel and Akram
Telawi; and produced plays in Arabic alongside our Hebrew.
After
years of applying to the Ministry of Culture, we were last year granted
recognition as a fringe theatre centre; however, a play we have offered for
financial support, critically dramatizing the origins of the Zionist narrative,
was first warmly approved and budgeted by the professional commission of the
Ministry, yet suddenly that approval was suspended on awkward procedural
grounds. When we applied for funds for the current year (including that very
play) we met with another rigid procedural difficulties, leading to suspension
of our entire financial support, thus threatening the closure of our theatre
after 9 years of praise and success financed almost exclusively from our
private resources (with a couple of minor donations for particular projects).
We
have no evidence that the "procedural" difficulties repeatedly
suspending our State support are politically motivated, but to judge by the
policy of the Ministry of Culture which has recently brought to the closure of
the only State supported Arab theatre in Israel, and the strong anti-Arab
incitement used by PM Netanyahu and Minister of Culture Regev in the recent
elections campaign brings to mind such suspicion.
While
contesting the moves of the Ministry in Court, we have no choice but to depend
for our survival on support from donations of the public until our case is
heard, and the next round of budget support comes. We have launched a public
campaign for fund resources inside the country, which has already met generous
response, but that is not enough to make us survive. We need to reach at least
$40,000 to replace the projected State support denied us, of which we have
gathered so far about 61%. We therefore apply for your kind support to help us
reach our goal no later than the end of next month, so that our artistic
activity makes us eligible to apply for next year's State support. Otherwise,
our 9 year project will close and the theatre demise.
Any
sum, from the price of a theatre ticket upwards will be welcome. You may make
your donation by credit card in US $, Euro €, or UK £ (American Express,
though, can only be paid by US $) or by Paypal,
via
the following, highly secured link:
Or by
direct transfer to our charity's bank account:
Bank
Mizrahi Tefahot
Branch
669,
Account
no 669-390997: Gilboa Theatre Charity
Iban: IL07-0206-6900-0000-0390-997
Swift code: MIZBILITXXX
Thank
you for any support, big or small and, most important: please feel free to
circulate this among friends.
Professor
Avraham Oz
Department
of Hebrew and Comparative Literature
University of Haifa
University of Haifa
See
also:
Ruling on Divisive 'McJesus'
Sculpture Fulfills Israeli Culture Minister's Censorship Fantasies
Following years of attempts by Miri Regev to curb
offensive artistic expression, this week a court in Haifa upheld the mayor's
right to intervene in content at a municipal museum to 'maintain public order'
Feb 14, 2019
9:29 PM
The Haifa
District Court's decision this week permitting Haifa’s mayor to
intervene in artistic content at municipally owned arts institutions to
"maintain public order" is a dream come true for Culture and Sports
Minister Miri Regev, who has sought to curb artistic expression that she found
offensive.
The district court issued the ruling in support of a decision
by Haifa Mayor Einat Kalisch-Rotem to have the municipally owned Haifa Museum
of Art remove "McJesus," a sculpture that sparked violent
protests following an outcry by the city's Christian Arab community. "McJesus,"
which depicted a crucified Ronald McDonald, the McDonald's mascot, was featured
in a display on the commercial use of sacred images.
Since taking office as culture minister, Regev has
tried time and again to exert her influence over institutions, municipalities
and local councils to present certain works of art and refrain from exhibiting
others. She has seen nothing wrong with such intervention and hasn't hesitated
to make her censorship demands public. She also hasn't hesitated to cut state
funding to institutions that fail to accede to her dictates.
To her dismay, however, most of her threats had been
ineffective, and as a result, she tried to pass a cultural
loyalty bill that would give her authority to deny state funding
cultural institutions on a number of grounds specified in the bill. In most of
the instances in which Regev has sought to censor artistic content, the
Association for Civil Rights in Israel has intervened, prompting a deputy
attorney general to advise her that she could not legally do so.
Three and a half years ago, Regev threatened to cut
the budget of the Jerusalem Theater Festival if it showed a
documentary about the family of Yigal Amir, who assassinated Prime
Minister Yitzhak Rabin. Ultimately a compromise was reached to show the film
but not under the festival's auspices.
A short time later, she threatened to deduct funds
from the Tel Aviv Cinematheque if it hosted a festival
sponsored by the Zochrot organization about the Nakba, a reference
to the Palestinians who fled or were expelled in the course of the Israeli War
of Independence. A committee appointed by Regev found that its content wasn’t
illegal.
Last year she threatened to put a halt to the Cinema
South film festival over its showing of a documentary about Bedouin women in
the Negev. In the end, the film was shown as scheduled.
The biggest fuss that Regev mounted over a film was in
connection with Samuel Maoz’s “Foxtrot.” After attacking the film in every
possible setting, she decided not to confine her threats to Israel alone. In
February 2018, she pressured the Foreign Ministry and the Prime Minister’s
Office to withdraw their financial support for the Israeli film festival in
Paris, where
"Foxtrot" was scheduled as the opening film.
She also tried to cut funding to the Jaffa Theater. In
2017, she urged Attorney General Avichai Mendelblit and Finance Minister Moshe
Kahlon to follow suit over the showing of a movie honoring Palestinian poet
Dareen Tatour. Two months ago, she raised the issue again with Kahlon, this
time demanding monetary sanctions against the arts center at Hansen House in
Jerusalem, which hosted an exhibition that
included one of Tatour’s poems.
About two years ago, Regev roundly objected to a
poster designed by a student, 12 copies of which where hung up at the Mount
Scopus campus of the Bezalel Academy of Art and Design in Jerusalem. It depicted
Prime Minister Benjamin Netanyahu with a
hangman’s noose in front of his face. Although the posters were taken down
after a short time, Regev called on Education Minister Naftali Bennett to
withhold funds from Bezalel.
A few weeks earlier, Regev had asked the mayor of
Haifa at the time, Yona Yahav, to reconsider permitting
the Israeli-Arab rapper Tamer Nafar to appear at a Jewish-Arab
cultural festival, saying that the singer “uses every opportunity on stage to
oppose the idea of the State of Israel as a state of the Jewish people.” A year
later she asked the mayor to cancel a Zochrot-sponsored event and a Nakba film
festival at the municipal cinematheque. She also called on Finance Minister
Kahlon to penalize the Tel Aviv Cinematheque for hosting the Nakba film
festival (despite the prior finding of a panel that she had appointed that the
festival was not in violation of the law.)
Two years ago, Regev tried to persuade the mayor of
Jerusalem at the time, Nir Barkat, to shut down the Barbur Gallery, for hosting
an event by the anti-occupation group Breaking the Silence on its municipally
owned premises. Last summer when Regev learned the same gallery was to host a
Nakba event for Zochrot, she demanded the attorney general advance legislation
to deny it funding. The city
said the gallery would be shut, but that decision is now on
appeal.
See also
